Saturday, July 15, 2006

Temptation


not even this
balcony &
this sunset
can give me
solace

there are scratches in my
ankles
and my ears ring
from the neverending
cackling
down below
where
little men
doing little to
nothing
and proud of their
poison heads
keep counting
beans
and counting
on my patience

somehow I
manage to keep
the sunset
& the salty breeze
in mind
and it soothes me
enough
to keep the gun
at my feet
through one last
beer

let's give them
five more
minutes

Into starlight.

Sunday, July 02, 2006

In Memoriam



James Douglas Morrison

December 8, 1943 - July 3, 1971

Into starlight.

Wednesday, June 28, 2006

Time after time



chains fall
all around me
and deaf
I cannot embrace
this pale
world
falling into silence
all its vanity
failing

forgive me

Into starlight.

Thursday, June 15, 2006

Way down...


"This moment was extraordinary. I was there, motionless and icy, plunged in a horrible ecstasy. But something fresh had just appeared in the very heart of this ecstasy: I understood the Nausea, I possessed it. To tell the truth, I did not formulate my discoveries to myself. But I think it would be easy for me to put them in words now. The essential thing is contingency. I mean that one cannot define existence as necessity. To exist is simply to be there; those who exist let themselves be encountered, but you can never deduce anything from them. I believe there are people who have understood this. Only they tried to overcome this contingency by inventing a necessary, causal being. But no necessary being can explain existence: contingency is not a delusion, a probability which can be dissipated; it is the absolute, consequently, the perfect free gift. All is free, this park, this city and myself. When you realize that, it turns your heart upside down and everything begins to float (...) here is Nausea; here there is what those Bastards (...) try to hide from themselves with their idea of their rights. But what a poor lie: no one has any rights; they are entirely free, like other men, they cannot succeed in not feeling superfluous. And in themselves, secretly, they are superfluous, that is to say, amorphous, vague, and sad"
- Jean-Paul Sartre
Into starlight.

Friday, June 02, 2006

An evening with Mingus


Every time I arrived she was already there. A few tables sprawled around the entrance to the café and over the sidewalk, and at the corners they lay in the shade of the maple trees that bordered the square. She always took one of these corner tables, probably seeking refuge from the merciless afternoon sun. Whenever I arrived she had already finished her lunch. Sometimes I would still be in time to watch the waiter take away her plate before bringing her an espresso. More often she would be halfway through the coffee, her left hand pressing down the pages of a book in the table, while in her right one a Gitanes burnt itself slowly, smoke dissolving somewhere between the maple branches and the blue sky above.
And she was gorgeous. Her skin was golden brown, smooth and tight, and she had light brown eyes that glowed like honey in the sun. Her hair, also light brown, came down softly on her shoulders with the softness of silk. Her cheekbones were high and well defined, and her lips seemed never too far from a smile. And what caught me the most was the way she seemed unaffected by her own beauty, how simple her gestures and her look were, unusual for someone so beautiful.
She was absorbed in her reading, yet every now and then she would raise her eyes. Not intentionally looking at people around her, but glancing around the square, her eyes resting on playing children, and pigeons hunting for crumbs among the grass. And in between the book, the coffee and the Gitanes, she would stay there for twenty or thirty minutes, blessing that patch of irregular shadow with her presence.
I took the habit of sitting opposite her, normally choosing the nearest table. For two or three days she didn't notice me. And then the glancing game started. I had just sat down, and gazing across the square, her eyes met mine for a moment. From then on, we would gaze at each other occasionally. Our eyes would meet three or four times, normally as soon as I arrived. It was a subtle acknowledgment of presence that stopped just short of a smile.
For the next two weeks or so, we went on like this, none of us going further than the apparently neutral glance. Then, one day, as I arrived, I let my glance turn into a brief smile. And she smiled back, gently, slightly surprised, but no more than I expected. And throughout her coffee, the usual glances between us were tuned into soft smiles. From then on, we smiled at each other everyday, like casual acquaintances, but always aware of a subtle undertone.
Once we started on this, I let time run its course for a while. I would smile whenever I arrived, and then just drift away into my coffee and newspaper. Through the corner of my eye, I noticed her reading was less attentive, and her gaze drifted less across the square and more to the walls behind where I would be sitting. Nevertheless, she always managed not to meet my eyes more than what seemed casual. I started looking at her less and less while I was there, while at the same time making sure my smiles were broader each day. I must have kept on with this for another five or six weeks. Then I made my move.
I managed to arrive about fifteen minutes earlier than usual, as I knew the café would be crowded for lunch. As I expected, all the tables were taken outside. I made a point of looking around at with a look of resignation. And then, at the last moment, I looked at her table. She was still eating, and her eyes had just risen to meet me. I smiled at her, and then looked round again, acting a little embarrassed before turning to her again. I then walked up to her table, smiling.
'Hi,' I said.
'Hi.'
'This place is crowded today. Not my usual time, though. Would you mind if I…'
'Have a seat? No, not at all, please do.'
'Cheers.'
I sat down beside her and put down my bag and sunglasses. She looked down on her plate, with a slightly embarrassed smile.
'Uh, listen, I don't want you to think I go around all the time sitting next to girls I don't know.'
'Oh, I don't. And I bet you say that to all of them.’
She smiled, on the verge of laughing. And I smiled too, looking at her, before my eyes fell to the ground again. I took a very deep breath:
‘Actually, I’ve been wishing to sit beside you for a long time. Ever since I saw you here for the first time, there is just so much about you that lingers in my mind, every little thing… and I’ve been acting foolishly just to meet you. I knew today had to be the day. I knew I would have to find a way to sit here and finally meet you, with so much to say. And I hope we‘ll be having dinner one of these days. Just you and me, lobster and a sparkling white wine… And we’ll have Charles Mingus playing in the background while we watch the sunset from my balcony… Can you imagine that? Might as well be the start of it all... Who knows, in a few weeks I could be meeting your parents… I’m pretty sure they wouldn’t like me, but it doesn’t matter a single bit. If they put up a fight, we can just get rid of them. Burst open your dad’s head with an axe, like a ripe melon, and just let him bleed to death in the living room carpet. Your mom will probably make a fuss about it, but we can just stick her head in the fish tank until the bubbles stop. I’ll promise not to hurt the fish, though… And if you have an annoying younger brother, we can put a couple of .44 rounds in his ass before he even thinks of opening his mouth. We throw them in the basement while they’re still warm, and it’s just you and me again. Mingus and lobster, the whole deal, babe… And we’re off to Monte Carlo, Venice, whatever… You decide. I know – and this is the hard part – you may grow tired of me, but I understand that. Just don’t leave me. You can poison me, stab me, whatever, but don’t get rid of me. Just cut me up in little pieces and feed me to our kittens, one day at a time. That way I’ll be with you a little longer, and I’ll see it… Well, as a sort of farewell, your most loving respects. So, what do you say, honey?’
She was already getting up when I mentioned the kittens. When I finished she was heading backwards into the street. I wanted to run after her, but I was mesmerized at the grace of her movements, at her beautiful ankles moving away in that sunlit afternoon. She was already running when she reached the other side of the square and disappeared into Rue St.-Jacques. The brakes screeched and there was a big bang as the garbage truck hit her right on and threw her onto the pavement, the blood sticking the pages of her book together. I heard the noise then, but it never crossed my mind it could have been that. I only put it together reading the newspaper at her empty table the following day, at the same time I finally learned her name.
‘What the hell,’ I thought. ‘Did she really hate Mingus that much?’

Into starlight.

Sunday, May 21, 2006

Telling tales


“Something begins in order to end: an adventure doesn’t let itself be extended; it achieves significance only through its death. Towards this death, which may also be my own, I am drawn irrevocably. Each moment appears only to bring on the moments after. To each moment I cling with all my heart: I know that it is unique, irreplaceable – and yet I would not lift a finger to prevent it from being annihilated.
(…)
This is what I have been thinking: for the most commonplace event to become an adventure, you must – and this is all that is necessary – start recounting it. This is what fools people: a man is always a teller of tales, he lives surrounded by his stories and the stories of others, he sees everything that happens to him through them; and he tries to live his life as if he were recounting it.
But you have to choose: to live or to recount.”

- Jean-Paul Sartre

Into starlight.

Tuesday, May 16, 2006

All the world is green


he stood in the
grass
thankful for that
warm hazy
afternoon
he had a
green silk
robe and slippers

a parasol
rested
on his shoulder
and so he remained
dignified
in the shade of
the statue as
victory
freedom
enterprise
or whatever
smashed open
the concrete slabs
of tyranny
or other
and soared
into the sky

the heat was
vicious
keeping eyes
low and crazed
and none around
to call him
mad
and so he
strolled on
his slippers carefully
circling what was left
of tyranny
even as he couldn't
care less
about revolution

he kept on smiling
gently
and in awe
to those imposing bronze
nipples
40 feet
above him
and the concrete slabs
of tyranny

Into twilight.

Tuesday, May 09, 2006

The stage sets collapse


“Life can be magnificent and overwhelming — That is its whole tragedy. Without beauty, love, or danger it would almost be easy to live.
(…)
If something worth living for is worth dying for, what about something not worth dying for?
(…)
Nobody realizes that some people expend tremendous energy merely to be normal.
(…)
At any street corner the feeling of absurdity can strike any man in the face.
(…)
It happens that the stage sets collapse. Rising, streetcar, four hours in the office or the factory, meal, streetcar, four hours of work, meal, sleep and Monday Tuesday Wednesday Thursday Friday and Saturday according to the same rhythm — this path is easily followed most of the time. But one day the "why" arises and everything begins in that weariness tinged with amazement.
(…)
Everything considered, a determined soul will always manage.”

- Albert Camus

Into twilight.

Friday, May 05, 2006

All the stones


all the stones in this
patio
speak to me
in whispers
and they all remember
you
in a spring
afternoon

you danced
and I held my breath
and my dreams
at large

you danced
and at last
your feet
made you proud
as I backed down
into the solace
of your wonder
fearing
the dusk
and the night
with its cold comfort
and dizzying spells
of toxic joy

but she cradled me
in her arms
at the edge of a broken cliff
and with
drunken smiles
the whipping wind
died down
beaten
by a hunger for mad
promises and the
vastness of the
ocean
below

the stones know this
too
yet pitifully
their whispers
subside

the ocean is a silent mirror
now
humming in
the background
and that
for me is enough
as I close my eyes
and face
the sun

Into starlight.

Friday, April 28, 2006

Take it with me


Phone's off the hook
No one knows where we are
It's a long time since I
Drank champagne
The ocean is blue
As blue as your eyes
I'm gonna take it with me
When I go

Old long since gone
Now way back when
We lived in Coney Island
Ain't no good thing
Ever dies
I'm gonna take it with me
When I go

Far far away a train
Whistle blows
Wherever you're goin
Wherever you've been
Waving good bye at the end
Of the day
You're up and you're over
And you're far away

Always for you, and
Forever yours
It felt just like the old days
We fell asleep on Beaula's porch
I'm gonna take it with me
When I go

All broken down by
The side of the road
I was never more alive or
Alone
I've worn the faces off
All the cards
I'm gonna take it with me
When I go

Children are playing
At the end of the day
Strangers are singing
On our lawn
It's got to be more
Than flesh and bone
All that you're loved
Is all you own

In a land there's a town
And in that town there's
A house
And in that house
There's a woman
And in that woman
There's a heart I love
I'm gonna take it
With me when I go
I'm gonna take it
With me when I go

- Tom Waits

Into starlight.

Tuesday, April 18, 2006

The cave


- your music is dated
he said
- I think you need to
polish it a bit

my girl had wandered
off
my eyes looked back
down to my
Chivas
and I smiled

- maybe you're right
I said
and still smiling
I raised my eyes
again
- we have had that
feeling every
now and then
but somehow
we always end up
following
the same road

it is curious though
and I see where you're
getting at
for I would argue
we are in essence
an existentialist
band
even if the guitarist
is a consequentialist
and the rhythm section
are true pragmatists

I believe it
stems from an involuntary
analytic undercurrent
in the band
it's always bound
to come up
when you're on tour
or recording
or whatever
wouldn't you agree?

- I... well I wouldn't know
about that
but hey man
I really dug your music, y'know?
I gotta go there and
talk to someone
now
will you excuse me?

- sure
I sat back to finish my
Chivas
before getting up
to find my girl
opinionated cocksuckers
always wear her patience
down
too soon

Into twilight.

Friday, April 07, 2006

Tower of Babel



Nearly every day, rain or shine, hot or cold, he would leave his apartment to walk through the city - never really going anywhere, but simply going wherever his legs happened to take him. (...) Each time he took a walk, he felt as though he were leaving himself behind, and by giving himself up to the movement of the streets, by reducing himself to a seeing eye, he was able to escape the obligation to think, and this, more than anything else, brought him a measure of peace, a salutary emptiness within. The world was outside of him, around him, before him, and the speed with which it kept changing made it impossible for him to dwell on any one thing for very long. Motion was of the essence, and the act of putting one foot in front of the other and allowing himself to follow the drift of his own body. By wandering aimlessly, all places became equal and it no longer mattered where he was. On his best walks, he was able to feel that he was nowhere. And this, finally, was all he ever asked of things: to be nowhere.
- Paul Auster
Into twilight.

Thursday, March 23, 2006

In your sweet shade


whenever
wherever I lay my head
in abandon
it shall rest
in your sweet shade
and I will forget
the thirst
not knowing how many
of your tears
I drank

but I shall
know
no greater treasure lies
beyond the
amber ocean of your eyes
or the
silken brightness
of your smile

do forgive me
if words & dream
sare all I can give you
for now
for I want
to reach you
and
to reach out
and carving out
this mountain
it is your name
I see
and it is
your smile & grace
my fingers
trace out of the
darkness

somewhere along
these lines
of youth & wisdom
somewhere behind
these miles of
vertigo
dreams
are woven
and unfold
in bright
shivering motions
and they too
long to rest
in your sweet shade

Into starlight.

Thursday, March 16, 2006

Quenching your thirst


Do you curse where you come from,
Do you swear in the night
Will it mean much to you
If I treat you right.
Do you like what you're doing,
Would you do it some more
Or will you stop once and wonder
What you're doing it for.
Hey slow Jane, make sense
Slow, slow, Jane, cross the fence.

Do you feel like a remnant
Of something that's past
Do you find things are moving
Just a little too fast.
Do you hope to find new ways
Of quenching your thirst,
Do you hope to find new ways
Of doing better than your worst.
Hey slow Jane, let me prove
Slow, slow Jane, we're on the move.

Do it for you,
Sure that you would do the same for me
one day.
So try to be true,
Even if it's only in your hazey way.

Can you tell if you're moving
With no mirror to see,
If you're just riding a new man
Looks a little like me.
Is it all so confusing,
Is it hard to believe
When the winter is coming
Can you sign up and leave.
Hey slow Jane, live your lie
Slow, slow jane, fly on by.

- Nick Drake

Into starlight.

Monday, March 06, 2006

Whispering in shades


silver bells ring
chasing away
the ghosts
under this burning
sun

and on the
merciful
afternoon calm
music floats
and whispers
in shades
casting away the
days

silver bells ring
to remember
beaming smiles
and toasts
- a doo-wop
sanctuary of sorts -
and souls
wrapped as candy
for streetwise
scribblers

you dig?

Into twilight.

Saturday, February 25, 2006

Sails of oblivion


My death is like
a swinging door
a patient girl who knows the score
whistle for her
and the passing time

My death waits like
a bible truth
at the funeral of my youth
weep loud for that
and the passing time

My death waits like
a witch at night
and surely as our love is bright
let's laugh for us
and the passing time

But whatever is behind the door
there is nothing much to do
angel or devil I don't care
for in front of that door
there is you

My death waits like
a beggar blind
who sees the world with an unlit mind
throw him a dime
for the passing time

My death waits
to allow my friends
a few good times before it ends
let's drink to that
and the passing time

My death waits in
your arms, your thighs
your cool fingers
will close my eyes
let's not talk about the passing time

But whatever is behind the door
there is nothing much to do
angel or devil I don't care
for in front of that door
there is you

My death waits
among the falling leaves
in magicians, mysterious sleeves
rabbits, dogs
and the passing time

My death waits
among the flowers
where the blackish shadow cowers
let's pick lilacs
for the passing time

My death waits
in a double bed
sails of oblivion at my head
pull up the sheets
against the passing time

But whatever is behind the door

there is nothing much to do
angel or devil I don't care
for in front of that door
there is you

Jacques Brel (English words by Mort Shuman)

Into starlight.

Wednesday, February 22, 2006

Carving out your name


Somewhere, by the side of this road, there is laughter... And a sparkling stream that flows endlessly, one that you crossed a long time ago. At a time when summer winds blew strong and dry, when jazz kissed the streets in warm nights, and you never thought of turning back.
Now the winds are memories... And in the background your stepping stones crumble like chalk, ruins without ancestry. There is laughter by the side of the road, you say to yourself, shivering at the sickly breeze that dies with the sunset...
Into starlight.

Thursday, February 16, 2006

Of swords and glances



Knowing how to free oneself is nothing; the difficult thing is knowing how to live with that freedom.

- André Gide

Into starlight.

Wednesday, February 08, 2006

Stopping for a beer, on the road to Damascus


there's water coming in
under the door
as the wind
whips the windows
in a minor key

I'm looking at
the water
spreading
and looking filthy
I wonder
where it's been before

I should be doing
something
to keep it
from coming in
but somehow
I'm thinking of Saul
in his dungeon
writing in bare
cold feet
but so far away
from bonfires
bullets and
burning flags
cartoon wars and
badly drawn
cartoon preachers

I'll really have
to keep the water
from coming in
but somehow
I'm not surprised
anymore
at how filthy
it is

Into starlight.

Thursday, February 02, 2006

Blue Hotel


Blue Hotel, on a lonely highway
Blue Hotel, life don't work out my way

Blue Hotel, on a lonely highway
Blue Hotel, life don't work out my way
I wait alone each lonely night
Blue Hotel...
Blue Hotel...

Blue Hotel, every room is lonely
Blue Hotel, I was waiting only
The night is like her lonely dream
Blue Hotel...
Blue Hotel...

Blue Hotel, on a lonely highway
Blue Hotel, life don't work out my way
I wait alone each lonely night
Blue Hotel...
Blue Hotel...

- Chris Isaak

Into twilight.